THE
ORGANS
One of the most noted features of the church is the world famous
17th Century Thamar organ. Only eight large-scale organs in total
survived the English Civil War as Oliver Cromwell apparently had a
dislike of their ornate style and ordered them to be destroyed. Of
these, there are just three remaining Thamars. The other examples
being in Gloucester Cathedral and St Nicholas's church in the
hamlet of Stanford upon Avon, Northamptonshire.
The sumptuously painted pipes belong
to the Thamar organ first built for our patrons, Pembroke College,
by Thomas Thamar in 1674 just after the Restoration (celebrated by
the hatchment on the south wall). The only other painted pipes of
this style are to be found in Gloucester Cathedral and featured in
the television adaptation of Joanna Trollop's novel The Choir. The
organ case is one of eight survivors of Cornwall's destruction of
organs. It is believed to date back to before 1630 (maybe much
earlier – 1580 has been mentioned) and some of the pipework may at
least pre-date the Commonwealth. If this is so we can experience
something of the sound of the earlier 17th Century English
organs.
In 1707 the College decided it
would like a larger and more up to date organ by Father Smith for
their fine Wren Chapel. So their old Thamar organ came to St.
Michael's in 1708 along with its old case. It was placed on a
gallery where it stayed until 1898. For a period the organ was
moved about the church first to the north aisle and then into the
chancel until 1970 when the gallery was recovered from the castle
and reunited with the organ in its present position under the
leadership of Michael Gillingham and with the aid of the Pilgrim
Trust.
The organ's history contains many
mysteries. One concerns the famous and historic organ builder John
Byfield who worked on the organ during 1740 according to reports in
the Ipswich Journal. When Hunter rebuilt the organ in 1898 he used
most of most of Thamar's pipework on the great organ except for the
cornet and trumpet which he replaced with a harmonic flute and
gamba. The cornet went missing and the trumpet was lost. The swell
incorporated at least three eighteenth century stops.
The restoration by Bishop and Son
of Ipswich in 1970 was sensitive and imaginative. The Thamar organ
was restored with no additions or subtractions (apart from a board
for bottom C#). The cornet was rediscovered in the Rectory attic
and repaired, restored and reconstructed. A very old rank of
trumpet pipes was found to replace the lost set. The swell was
matched up to complement the great and based on its 18th Century
content. The pedal was likewise treated. The Cromorne was
introduced by John Budgen of Bishops and is an excellent and
versatile addition to the swell organ. A pedal reed was also
added.
The organ has illustrious
associations. Mendelssohn is believed to have given lessons to
Caroline Attwood when he visited her elder brother George Attwood,
then Rector. Mendelssohn knew George's father, Thomas Attwood
(1765-1838), composer and organist of St. Paul's Cathedral and one
time pupil of Mozart.
The Church welcomes visiting
organists who would like to practise or give a recital. Simply
contact the Rector. And, of course, every Sunday the organ fulfils
the primary purpose for which it was built – that of accompanying
and enhancing the church's worship of Almighty God.
The
18th century Chamber Organ
The church has another organ which is in the chancel. This is a
delightful organ by William Allen of Soho Square 1797. It was
brought here in 1982 from a church in Chesterfield and was
dedicated during the course of the Parish Eucharist at 9.30 am on
Sunday, May 30 1982. It was donated to the church by Margaret
Millard’s son, Leonard John Millard, a former church-warden at St
Michael’s.
The inscription on the inner panel of the case
reads:
This organ, built in 1797, was rebuilt in 1982
and given in memory of Joseph Tanner 1853-1934, Barrister at Law
and sometime scholar and graduate of Pembroke College, Cambridge
and of his daughter Margaret Josephine Millard
1907-1980.