“Working,” by The Appeal Theatre Group at New Wolsey
Theatre, Ipswich, until Saturday 12th July.
Babe Secoli played by Helen Wheatley (with members of the
cast).
Photo by Nigel Baker of Eastern Light Photography
Mike Dillard played by Duncan Broatch
Photo as previous.
A musical with no plot, no great scene changes and a cast of people
talking and singing about their working day, doesn’t sound very
promising, to be honest.
What makes “Working” work, are the hopes, dreams and aspirations of
the characters and their pride in their role in New York life.
That, and the Appeal Theatre Group’s evident enjoyment in the
challenge of bringing this East Anglian Premiere to Ipswich.
The show is based on a book by Studs Terkel and was adapted for the
stage by Stephen Schwartz and Nina Faso. The score is by Stephen
Schwartz (‘Godspell’, ‘Wicked’, ‘The Bakers Wife’ and the recent
film ‘Enchanted’) Craig Camelia, Mary Rodgers and Susan Birkenhead,
Micki Grant and James Taylor. This mix of writers mean that the
songs cover every musical genre you can imagine, from rock and roll
to opera, pop to Spanish guitar with country and western, blues and
jazz along the way.
My favourite numbers (and those of the first night audience)
included “Just a Housewife” (Jane Robinson), “Fathers and Sons”
(Duncan Broatch) and the show-stopping “It’s an Art,” sung by the
waitress with attitude, (Sally Scurrell).
With the twenty-eight strong cast on stage for the entire show,
either taking their turn in the spot-light, acting as backing
singers or dancing, this show was a
Roberta Victor played by
Cath Steel
Photo as previous
challenge that Appeal managed with ease.
Dances and moves were confident and well- rehearsed, from the
casual turning of the giant clock as the working day relentlessly
moved on, to the slick handover of the hand mike. My only criticism
was with that microphone. Only the soloists used it and that led to
some patchy sound levels. Sometimes the accompanying singers could
hardly be heard, and when a cast member was speaking over the music
some of their words were lost. Perhaps giving everyone a microphone
would be the answer?
The set was an interesting arrangement of stairs and levels and the
costumes meant the jobs of the characters (though some terms were
American ones we might only know from TV) were easily identified. I
kept wondering what the actors did in “real life” – the programme
gave a few examples…..
As I said initially, an unpromising idea for a musical but the
finale “Something to Point To” reminded us that we all have
something to be proud of in our work, not just the builder who can
see his brickwork every time he passes a building he worked on. By
the end of the show you felt just as proud of the workers and their
role in society as they themselves were.
A great night out… and congratulations to the Appeal Theatre Group
for trying something new – and bringing it off so well.
Rachel Sloane
8th July 2008
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What's On listing
Frank Decker played by Ryan Fenton (with members of the
cast)
Photo as previous